Monthly Archives: December 2014

Vocals Only: Overcoming Vocal Challenges | Craig Burnett | Specialist Session #2


Admittedly, this interview verges on the bizarre at times…but its a lot fun. Craig Burnett talks with Dr Dan about his professional performance journey and the many vocal challenges he has faced along the way. Well worth the watch!

Check out more from Craig & Scat: http://bit.ly/1rYxDhw

2:13 Craig talks about his vocal career to date.

9:57 Overcoming vocal challenges.

12:20 Contemporary Technique for Contemporary Vocalists.

16:40 Balancing Performance Energy with Vocal Technique.

21:00 Worst Performance Experience.

25:40 Favourite Vocal Exercise.

27:30 Best Advice for Developing Singers.

— TOOLS for SINGERS —
* Vocal Exercises: http://bit.ly/12IIpiw
* FREE articles about voice & singing: http://bit.ly/14rH4vS

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* http://www.djarts.com.au

© 2014 Djarts & Dr Daniel K. Robinson
All Rights Reserved.

Vocals Only: The Developing Singer | Melissa Forbes | Specialist Session #1


Dr Dan talks with Melissa Forbes from the University of Southern Queensland about her journey as a singer. Melissa offers us a number of valuable insights into the development of the modern contemporary vocalist.

Check Out: USQ Music Department – http://bit.ly/1zhKhMQ

0:58 Melissa talks about her journey as a singer and teacher.

6:06 Taking the step into professional singing.

9:30 Classical and Contemporary Singing – the differences.

22:37 Worst Performance Experience.

25:20 Favourite Vocal Exercise.

27:48 Top Advice for Developing Singers

— TOOLS for SINGERS —
* Vocal Exercises: http://bit.ly/12IIpiw
* FREE articles about voice & singing: http://bit.ly/14rH4vS

— LET’S CONNECT —
* YouTube: http://bit.ly/17zebxI
* Facebook: http://on.fb.me/1wMUBOZ
* Twitter: http://bit.ly/1wMUD9z
* Google+: http://bit.ly/1wMUGST
* LinkedIn: http://linkd.in/1wMUItO

— Stay UP-TO-DATE with Dr Dan’s FREE Email List —
* http://www.djarts.com.au

© 2014 Djarts & Dr Daniel K. Robinson
All Rights Reserved.

A helpful reminder…


downloadYesterday I had one of those ‘chance’ conversations that causes you to think. The dialogue covered a number of topics, but I thought I’d quickly share one small point that my friend made in the flow of our exchange.

My friend, her husband and children, have recently started attending a new church. Having been in a large-ish church environment previously, they now find themselves attending a small suburban community church. While reflecting on the decisions and the subsequent journey that bought about their change of locale my friend made the passing remark, “It is so refreshing to be in a worship space that is not driven by performance values!”

She was quick to follow her statement with a qualification that recognised her appreciation for ‘things done well,’ but insisted that her and her husband were being refreshed by the simplicity of their new-found church community and the manner in which the Sunday gathering was conducted.

What a wonderful reminder. Dan Kimball (2009) writes, “We want to honor God in all we do, but some worship gatherings do feel so much like a performance that it comes across as being inauthentic, even if the hearts of those leading it are authentic” (p. 312). I have the awesome privilege of working with churches of all sizes, I have personally worshipped in both small and large congregations, and I am quick to acknowledge that there is no ‘right way’ when constructing modern Christian worship. There are however worship forms that seem to present with higher levels of authenticity than others.

We all get to have an opinion on what seems ‘authentic.’ It’s relative…relative to you and where God has you along the journey of your spiritual walk. The helpful reminder that I gained from yesterday’s conversation was that performance values should always play second fiddle to the authenticity of the worshipper; both for those on stage and for those in the pews.

 

References

Kimball, D. (2009). Emerging worship. In J. M. Pinson (Ed.), Perspectives on christian worship: 5 views (pp. 288–333). Nashville, TN: Broadman and Holman Publishers.